Monday, November 1, 2010
ithinkiminlove
la mort/l'amour
la mort/l'amour from liz roncka on Vimeo.
Friday, October 15, 2010
Tuesday, October 5, 2010
Sounds and Signs
Sunday, September 5, 2010
Sounds and Signs Rehearsal for Oct 1&2 Boston, Oct.9 Brooklyn
Olivier Besson, Ellen Godena,Liz Roncka and Amir Milstein (flute).
Saturday, August 21, 2010
Monday, August 9, 2010
"Improbable"
Collectif Emma Jupe performs "Improbable" at Festival Chemins des Arts from liz roncka on Vimeo.
Monday, July 12, 2010
Third Practice @ batv June 21st 2010
Sunday, June 13, 2010
First Practice @ batv June 7th 2010
iz3
Wednesday, May 26, 2010
iZ Solo by Liz Roncka
Dancers: Liz Roncka, Olivier Besson, Ellen Godena
Musicians: Haggai Cohen Milo (bass), Amir Milstein (flute) and Jamey Haddad(percussion).
Tuesday, May 25, 2010
Monday, May 24, 2010
Wednesday, May 12, 2010
A few notes after watching a performance clip.....
It is as much about what u do as what u don't do.
Remember the power of stillness and silence.
Amen.
Monday, May 10, 2010
ArtRages - the glass dance project - first performance (1)
Thursday, April 29, 2010
Duet with Olivier Besson and Liz Roncka from the Winter Contact Improv Festival in Boston February 2010
Monday, April 19, 2010
Trio with Haggai Cohen Milo, Amir Milstein and Liz Roncka from Spring 2009
Here is a rehearsal clip with Haggai, Amir and me.
Sunday, April 18, 2010
Forbes Graham and Liz Roncka
Saturday, April 17, 2010
Another Excerpt with Forbes Graham
Friday, April 16, 2010
FGLREX1
Thursday, April 8, 2010
Friday, March 26, 2010
Rogue Re-incarnated
It was performed in SWAN DAY last year. That Rogue wore black and wandered the streets.... scoring, surviving and being scorned. A few months later, I wanted to experiment with another aspect of that Rogue. The "white" Rogue explores the more solitary, internal aspect of this character.....alone in her house. Music by Haggai Cohen Milo and Amir Milstein.
Tuesday, March 23, 2010
Monday, March 22, 2010
glassmob2
Rehearsal video with Emily Beattie, Liz Roncka and Philippe Lejeune. Although this is a rehearsal clip for a live performance, I enjoy it as a video. I prefer art that does not come with a set of instructions. However, I do invite u 2 let go of the notion of the real bodies being the dominant image. Allow ur mind to re-calibrate and notice the reflections as much as the "real bodies". Afterall, what is a reflection? What is reality? what is the difference and does it matter! If u didn't know the difference, would there b any? Come see a live version of this at ArtRages......May 8. More details to come!
Sunday, March 21, 2010
Friday, March 19, 2010
Thursday, March 18, 2010
ABC Duet No. 2 with Emily Beattie and Liz Roncka
Second version of this duet.... a little loose, but loved the extended handstand thanks 2 my chiropractor. Once I realized I could stay, I thought "why come down when i can b upsidedown?"
Music by Mateo Lugo and Daniel Wright.
Wednesday, March 17, 2010
Tuesday, March 16, 2010
Sunday, March 7, 2010
"creatures" rehearsal warm-up
Sound: Max Lord
Once again, this is not "creature" movement. BUt.....it is 3 out of 4 of the movers. We were doing a duet warm up score which I then jumped into to create a trio. "Trio-ing" is often quite challenging but this gave me some new ideas. It also invovled "contact" which was not what I was teaching. I do like coming at contact from this angle ....more from a perspective of momentum and movement than weightiness. Although that is essential, I question whether teaching about weight before momentum creates "heavier" dancing. ???? Oh, it is time 4 me 2 teach 2 find the answers 2 these questions. Soooon soooon.... There will b some creature-esque clips posted soon though.
Monday, February 22, 2010
Creature Rehearsal Warm UP
Saturday, February 20, 2010
Stop Mix
This began as a movement study for a piece I am starting which will involve confined space. For no specific reason, I did the original study to "stop" by Jane's Addiction. Then I started randomly cutting up the piece and re-arranging the parts and overlapping them. I started 2 b curious about removing audio from certain parts. Eventually, all the music was gone and 4 minutes of movement was 2 minutes. I decided to dub another piece of music onto the clip to bring on a more introspective mood.
I definitely miss my daily dances. I won't return to that intensity but I should do this more often. It is important to me to stay process-oriented and not get all caught up in just doing things based on what gig is next. FTS.
Tuesday, January 26, 2010
Monday, January 18, 2010
My particular interest is in how adding sound deepens my connection to my internal being and the insides of my body.....sensing my esophagus differently, sensing my larynx, my lungs, etc etc....deepening my ability to embody a given state (whatever that means!?!). I am also interested in how it expands my ability to express a certain feeling, emotion or state. For a long time, making sound with my voice was a scary, blocked place. It feels essential to unlock that in order to fulfill my "artistic" potential.....my "expressive" potential. It is a strange journey full of discovery, confusion and humor.
Sunday, January 10, 2010
Sh(r)ed in San Francisco
(Viewing on full screen is recommended)
Sh(r)ed 1
January 8, 2010
Sh(r)ed 1 from liz roncka on Vimeo.
Sh(r)ed 2
January 9, 2010
This clip actually begins approximately 2 minutes into the piece. The video camera was unable to capture an image in the beginning secondary to low light and possibly the vibratory motion and use of tulle.
Wednesday, January 6, 2010
Tuesday, January 5, 2010
Improvisation 4/7 Orange ABC
Monday, January 4, 2010
Improvisation3/7 Orange ABC......"Ness Again"
This new one is a stark contrast!!
Sunday, January 3, 2010
Improvisation 2/Music by 7 Orange ABC
For more info about the band, see their FB or MySpace page or 7orangeabc.com
Enjoy!